‘The First Omen’ review: Can this nun-centered prequel hold a candle to the original?

‘The First Omen’ review: Can this nun-centered prequel hold a candle to the original?

Released in 1976, “The Omen” quickly became a cult classic horror film that left audiences on the edge of their seats. The story of a young boy who is revealed to be the antichrist, causing chaos and destruction wherever he goes, struck fear in the hearts of viewers around the world. Now, over four decades later, comes “The First Omen,” a prequel to the original film that focuses on the sinister nun who helped bring Damien into the world.

The film opens in a dark and foreboding convent, where Sister Mary (played by Laura Linney) is tasked with caring for the pregnant Katherine Thorn (played by Sarah Paulson). As Katherine’s due date approaches, Sister Mary becomes increasingly convinced that the child she carries is not of this world. When the baby is born, it becomes clear that her fears were not unfounded, as the child exhibits strange and malevolent behavior from the moment of its birth.

As the child grows, Sister Mary becomes increasingly alarmed by his actions and the eerie events that seem to follow him wherever he goes. She enlists the help of a priest, Father Michael (played by Ethan Hawke), to try and remove the evil presence from the child before it is too late. The tension builds as they race against time to uncover the truth behind the child’s origins and stop the impending darkness that threatens to consume them all.

While “The First Omen” has all the makings of a chilling and suspenseful horror film, it ultimately falls short of living up to the original classic. The performances by the cast are solid, with Linney and Hawke delivering strong performances in their respective roles. However, the film lacks the same impact and sense of dread that made the original “Omen” so effective.

One of the main criticisms of the film is its reliance on jump scares and predictable horror tropes, which detract from the overall atmosphere of tension and unease that the original film was able to create. Additionally, the pacing of the film feels uneven at times, with certain scenes dragging on for too long while others feel rushed and lacking in depth.

Despite its shortcomings, “The First Omen” does have its strengths. The cinematography is beautifully done, with the dark and shadowy settings adding to the overall sense of dread and impending doom. The score, composed by the legendary Marco Beltrami, also helps to create a feeling of tension and suspense throughout the film.

In conclusion, while “The First Omen” may not hold a candle to the original classic, it still offers a few thrills and chills for fans of the horror genre. With a strong cast and solid production values, the film is worth a watch for those looking for a spooky and atmospheric movie night. Just don’t expect it to shake you to your core like the original “Omen” did all those years ago.

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